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ARTIST BIOGRAPHY: Edward Steichen is one of the most prominent figures in the history of photography, not only for his long career as a photographer, but for his pivotal role as a curator of photography at the Museum of Modern Art. Steichen was born in Luxembourg and immigrated to the U.S. with his family as a child. As a young artist en route to Paris in 1900, Steichen met Alfred Stieglitz in New York City, and a legendary partnership began. Beginning in 1902, they collaborated on publishing Camera Work. Steichen’s work was frequently reproduced in that fine arts journal. In 1905, they co-founded the Little Galleries of the Photo-Secession, or 291, a gallery that became legendary both for promoting photography as a fine art, and for introducing Americans to the artistic innovations of the European modernists. As a photographer, Steichen was concerned with creating atmospheric landscapes that paralleled his work as a painter. He embraced the soft-focus pictorial style favored by many photographers at the beginning of the century. Over time his photography developed into a more “straight,” modernist style. His portraits of artists and actors were much celebrated, and his avant-garde approach to fashion photography helped to reinvent the field. His influence on photographic history took another important turn when Steichen was appointed Director of Photography at the Museum of Modern Art after World War Two. Among his many important projects there was the famous 1955 exhibition The Family of Man. He worked at MoMA until 1962, when he hired John Szarkowski to be his successor. From Getty ULAN: Steichen was born on March 27, 1879 in Luxembourg and grew up in Hancock, Michigan when his family emigrated to the United States in 1881. Steichen was apprenticed to a Milwaukee, Wisconsin lithographer from 1894-1898. His interest in photography began in 1895, and during subsequent years, he exhibited in various photographic exhibitions in the United States and Europe. His early style reflects his training as a painter, using soft tonality and lighting on his subjects. In 1900, Steichen became a naturalized American citizen, and in 1901 he was elected a member of the Linked Ring, a pictorialist society in London, England, United Kingdom. In 1902, Steichen was a founding member of the Photo-Secession Movement, along with Alfred Stieglitz. In 1905, Steichen and Stieglitz opened the Little Galleries of the Photo-Secession "291" on Fifth Avenue in New York City, New York. From 1906 to 1914, Steichen was working as a freelance painter and photographer in Paris, France, but returned to the United States on the eve of World War I with the desire to become a photojournalist in the tradition of Matthew Brady. From 1914 to 1919, Steichen was an aerial reconnaissance photographer and director of photographic services for the United States Air Force. In 1920 Steichen abandoned painting completely for photography and from 1923 to 1938, Steichen had a studio in New York City, New York. He also worked as the chief photographer for Vogue magazine, creating such iconic fashion images as his portrait of Gloria Swanson behind a black lace veil. He became a Lieutenant Commander in United States Navy in 1942 and he organized the War Photography Department. From 1945 to 1946, Steichen was the director of the Naval Photographic Institute organizing two exhibitions for MOMA: "Road to Victory" (1942), a photographic portrait of The United States on which he collaborated with his brother-in-law, poet Carl Sandburg, and "Power In The Pacific"(1945). Steichen abandoned his own photography practice in 1947 to become the director of the photography department at the Museum of Modern Art, New York City, New York. He held this position until 1962. He died on March 25, 1973.