Bowdoin College Homepage
Bowdoin College Museum of Art Logo and Wordmark

Advanced Search
Preview image of work. barbed wire, metal rods and wire,  Rondo 23789


Recommend keywords

Help us make our collections more accessible by providing keywords to describe this artwork. The BCMA uses the Getty Art & Architecture Thesaurus to provide consistent keywords. Enter a keyword in the field below and you will be prompted with a list of possible matching AAT preferred terms.



Export record as: Plain text | JSON | CDWA-Lite | VRA Core 4


Deborah Butterfield (San Diego, CA, 5/7/1949 - )



Creation Date



last half 20th century


77 in. x 101 in. x 35 in. (195.58 cm x 256.54 cm x 88.9 cm)



Creation Place

North America, United States

Medium and Support

barbed wire, metal rods and wire

Credit Line

Gift of halley k. harrisburg and Michael Rosenfeld


This artwork may be under copyright. For further information, please consult the Museum’s Copyright Terms and Conditions.

Accession Number


Horses have long captured the literary and artistic imagination. For the sculptor Deborah Butterfield, horses served initially as a type of symbolic self-portrait. As she has explained, “I first used the horse images as a metaphorical substitute for myself–it was a way of doing a self-portrait one step removed from the specificity of Deborah Butterfield.” Her early horses were made from clay and sticks that she picked up at her home in Bozeman, Montana. Over time she utilized other found materials, including different types of metal. In Rondo, barbed wire and metal rods form both the armature and the body of her subject.