Bowdoin College Homepage
Bowdoin College Museum of Art Logo and Wordmark

Advanced Search
Preview image of work. black and white crayon on brown wove paper,  'Natura' (head) 3825
IIIF Logo
1955.4.5

Recommend keywords

Help us make our collections more accessible by providing keywords to describe this artwork. The BCMA uses the Getty Art & Architecture Thesaurus to provide consistent keywords. Enter a keyword in the field below and you will be prompted with a list of possible matching AAT preferred terms.

 
 

'Natura' (head)

Export record as: Plain text | JSON | CDWA-Lite | VRA Core 4

Artist

Elihu Vedder (New York City, New York, 1836 - 1923, Rome, Italy)

Title

'Natura' (head)

Creation Date

ca. 1893

Century

late 19th century

Dimensions

6 in. x 7 5/8 in. (15.24 cm x 19.37 cm)

Object Type

drawing

Creation Place

North America, United States

Medium and Support

black and white crayon on brown wove paper

Credit Line

Gift of The American Academy of Arts and Letters

Copyright

Public Domain

Accession Number

1955.4.5

Elihu Vedder, an expatriate American artist working in Rome, subscribed to the belief that nature was the source of all art and that emulation of the great masters, such as Raphael and Michelangelo, would lead modern artists to a greater understanding of nature. This reverence for nature and its perceived expression in High Renaissance art was widely shared among academically trained artists of the time, including “American Renaissance” artists such as Vedder. In these drawings related to “The Art Idea,” Vedder’s mural commissioned for Bowdoin’s Walker Art Building (1894), the Tree of Life with its symbols of Alpha and Omega—the beginning and the end—flank a classically posed female allegory of “Natura.” Scholar Richard Murray concluded: “Of the hundreds of murals in public and private buildings, only one states the philosophical premise of the entire American Renaissance: Elihu Vedder’s Rome, or The Art Idea.”