Bowdoin College Homepage
Bowdoin College Museum of Art Logo and Wordmark

Advanced Search
Preview image of work. gelatin silver print from infra-red negative,  Bohusovice Train Station at Theresienstadt, Czechoslovakia 11032

1992.31

Recommend keywords

Help us make our collections more accessible by providing keywords to describe this artwork. The BCMA uses the Getty Art & Architecture Thesaurus to provide consistent keywords. Enter a keyword in the field below and you will be prompted with a list of possible matching AAT preferred terms.

 
 

Bohusovice Train Station at Theresienstadt, Czechoslovakia

Export record as: Plain text | JSON | CDWA-Lite | VRA Core 4

Artist

Judy Ellis Glickman (20th century - )

Title

Bohusovice Train Station at Theresienstadt, Czechoslovakia

Creation Date

1991

Century

20th century

Dimensions

12 5/8 in. x 18 7/8 in. (32.07 cm. x 47.94 cm.)

Classification

Photographs

Creation Place

North America, United States

Medium and Support

gelatin silver print from infra-red negative

Credit Line

Gift of Judy Ellis Glickman

Copyright

This artwork may be under copyright. For further information, please consult the Museum’s Copyright Terms and Conditions.

Accession Number

1992.31

Glickman Lauder, an American Jewish photographer, created these photographs about thirty years ago, when the Holocaust still defined American Jewish communities. At that time, many survivors were still alive, and while some did not speak of their pasts, others did. The Eichmann trial gave face to the testimonies of survivors for the first time in 1961. In 1964, survivors in Philadelphia commissioned what is considered the first public memorial to the Holocaust in the United States. Their efforts testify to the fact that it was survivors—not the general public—who spurred the need for public memorialization. By the 1980s, with the passing of a generation of Holocaust survivors and as the country took a turn to the right, the risk of forgetting (or of downright suppression of historical fact) was very real and galvanized demands for formalized recognition of the Holocaust in the form of memorials and museums. There was a new urgency, in the Jewish community, to remember the past in a public way, an urgency that soon garnered national attention with the opening of the United States Holocaust Museum. Natasha Goldman Adjunct Lecturer, Department of Art History, Bowdoin College