Bowdoin College Homepage
Bowdoin College Museum of Art Logo and Wordmark

Advanced Search
Preview image of work. aquatint, etching, and drypoint printed in black and red-brown inks on paper,  Steve 24083

2012.8.17

Recommend keywords

Help us make our collections more accessible by providing keywords to describe this artwork. The BCMA uses the Getty Art & Architecture Thesaurus to provide consistent keywords. Enter a keyword in the field below and you will be prompted with a list of possible matching AAT preferred terms.

 
 

Steve

Export record as: Plain text | JSON | CDWA-Lite | VRA Core 4

Artist

Beth Van Hoesen (Boise, Idaho, 1926 - 11/16/2010, San Francisco, California)

Title

Steve

Creation Date

1990

Century

late 20th century

Dimensions

17 13/16 in. x 15 in. (45.24 cm x 38.1 cm)

Object Type

print

Creation Place

North America, United States

Medium and Support

aquatint, etching, and drypoint printed in black and red-brown inks on paper

Credit Line

Gift of the E. Mark Adams and Beth Van Hoesen Adams Trust

Copyright

This artwork may be under copyright. For further information, please consult the Museum’s Copyright Terms and Conditions.

Accession Number

2012.8.17

Object Description

Per the Catalogue Raisonne (Intro by Joseph Goldyne and Essay by Bob Hicks) page 481:
“Steve” is one of two prints made from the series of drawings known as “Punks” that the artist began in the mid-1980’s and worked on through the early 1990’s. One known graphite and colored pencil drawing exists for this print, plus numerous color proofs, trial proofs, and stage proofs. Many of the stage proofs have artist’s notes to the printer and color notations. Printer’s documentation states that this edition was printed “from three 16 gauge copper plates executed entirely by the artist as a hardground etching with drypoint (electric engraving) and burnishing [plate 1], and aquatint with drypoint [plates 2, 3].” Documentation notes collaboration dates of April 26, 1989 – November 20, 1990; release date December 15, 1990; cancellation March 7, 1991. This print was illustrated in “Beth Van Hoesen: Works on Paper” (Chronicle Books and John Berggruen Gallery, San Francisco, 1995); and in “Beth Van Hoesen: The Observant Eye” (Fresno Art Museum CA, and University Art Museums, Iowa State University, Ames, 2009).