Agnes Meyer
Artist
Marius de Zayas
(Veracruz, Mexico, 3/13/1880 - 1/10/1961, Stamford, Connecticut)
Title
Agnes Meyer
Creation Date
ca. 1912-1913
Century
early 20th century
Dimensions
24 7/16 x 18 3/4 in. (62 x 48 cm)
Object Type
drawing
Creation Place
North America, Mexico
Medium and Support
charcoal over graphite on yellow paper
Credit Line
National Portrait Gallery, Smithsonian Institution, Washington, D.C., gift of Anne Meyer, NPG.99.98, Photo Credit: National Portrait Gallery, Smithsonian Institution / Art Resource, New York
Copyright
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Between 1909 and 1913, Alfred Stieglitz mounted three separate exhibitions of work by Marius de Zayas at his gallery, 291. At the third, the cosmopolitan émigré exhibited eighteen charcoal caricatures, including this example, in two styles: “relative” (representational) and “absolute” (non-representational). The abstractions on view combined algebraic equations, geometric forms, and dramatic chiaroscuro to impart the artist’s vision of otherwise imperceptible realities. Agnes Meyer, exemplary of the early twentieth-century “New Woman”, independently financed her education at Barnard College and became one of "The New York Sun’s" first female reporters. This rare drawing suggests her energy, drive, and élan. Francis Picabia’s representation of Meyer as a mechanical catalyst, reproduced nearby, also testifies to her dynamic character.