Bowdoin College Homepage
Bowdoin College Museum of Art Logo and Wordmark

Advanced Search
Preview image of work. wood,  Flute Player 28304

2014.31.22

Recommend keywords

Help us make our collections more accessible by providing keywords to describe this artwork. The BCMA uses the Getty Art & Architecture Thesaurus to provide consistent keywords. Enter a keyword in the field below and you will be prompted with a list of possible matching AAT preferred terms.

 
 

Flute Player

Export record as: Plain text | JSON | CDWA-Lite | VRA Core 4

Artist

Ibrahim Akinlabi "Akin" Fakeye

Title

Flute Player

Creation Date

1900-1961

Century

mid-20th century

Dimensions

13 1/2 x 2 3/4 x 4 in. (34.29 x 6.99 x 10.16 cm)

Classification

Decorative Arts

Creation Place

West Africa, Nigeria

Medium and Support

wood

Credit Line

Gift of Dorothy A. Hassfeld made in memory of the Otun Shoun, Chief N.D. Oyerinde, OBE

Copyright

This artwork may be under copyright. For further information, please consult the Museum’s Copyright Terms and Conditions.

Accession Number

2014.31.22

Object Description

Donor's Notes (Transcribed by Curator, Joachim Homann):
-Bought at studio of Lamidi Fakeye, Mokala Hill, Ibadan, 1964
-Akin (Akinlabi) Fakeye was born in Ila Orangun, Osun state in Nigeria, in 1936. His father Adewuyi Oguntunde Fakeye was known as a master carver. As was tradition, Akin Fakeye was taught the art of carving by his father. Upon the death of his father, Akin went into apprenticeship under his brother Lamidi Fakeye from 1958–1967. He established himself in his own studio from 1968. From that time he has worked on a number of collaborations with his brother Lamide Fakeye and has also trained twenty apprentices including Ayo Bankole and his own sons, Jimoh Fakeye, Sulaiman Fakeye, Akeem Fakeye and Lukman Fakeye. All four of his sons are now professional carvers in their own right and have established their own studios. Akin Fakeye was one of founding members of Oyo State Woodcarver Association; which is an association set up to further the appreciation of quality woodcarving to a wider audience and also help develop a new generation of master carvers.

Additional Media

Additional Image overall
overall