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Robert Burns Motherwell

 
Robert Burns Motherwell

20th-21st century American painter
(Aberdeen, Washington, 1/24/1915 - 7/18/1991, [Provincetown], Cape Cod, Massachusetts)

Per the Getty: ote: Motherwell was a major figure of the Abstract Expressionist generation, his work encompassing the automatism of the Surrealists, the expressive brushworks of action painting, and the saturated hues of field painting. At the age of eleven, he was awarded a fellowship to the Otis Art Institute in Los Angeles, and went on to the California School of Fine Arts in 1932. He received his BA in philosophy from Stanford University in 1936. Motherwell began his career as a painter in 1939 in Paris, where he had his first solo exhibition, and studied art history from 1940 to 1941 at Columbia University in New York. There he met Roberto Matta, Meyer Schapiro, and other exiled European artists associated with Surrealism. Emotionally charged brushwork and severely structured abstract were painted during this period, but in 1943, Motherwell produced a series of dark, menacing works in Response to World War II. The work for which he is best known, the series "Elegy to the Spanish Republic XXXIV" (1953-1954), are large abstracts that reflect his generation's despair at the lost cause of the Spanish Civil War. During the 1950s, Motherwell spent most of his time lecturing and teaching, notably at Black Mountain College in North Carolina. It was during this time he worked on his most influential literary achievement, "The Dada Painters and Poets: An Anthology" (New York, 1951). In 1952, Motherwell and Ad Reinhardt produced the journal "Modern Artists in America." Motherwell and Helen Frankenthaler were married from 1958 to 1971. From 1968 to 1972, Mortherwell worked on a series of paintings called "Open," which reflected the new style of color field painting. His later works returned to more traditional Abstract Expressionist vocabulary. American painter, printmaker, and author, and a major figure of the Abstract Expressionist generation.

5 objects

Roots of Abstract Art in America

1965
lithograph on paper
Gift of Austin List Foundation
1966.58
 

Tricolor

1974
lithograph on paper
Museum Purchase, Drake Fund
1974.61
 

Untitled

1978
lithograph with chine collé, graphite, blue crayon on grey laid paper mounted on grey laid paper
Museum Purchase, George Otis Hamlin Fund
1979.22
 

Untitled, from the portfolio "Ten Works x Ten Painters"

1964
color serigraph and collage on paper
Gift of Roy and Jean Perkinson
2011.43
 

Signs on Copper

1981
aquatint on paper
Gift of Susan and James Carter
2013.1.5