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Italo Scanga (Italo Pasquale Bernardo Scanga)

 
Italo Scanga

American 20th-21st century painter, sculptor, and printmaker
(Lago, Calabria, Italy, June 6, 1932 – July 27, 2001, San Diego, California)

Active in multiple media including glass, ceramics, bronze sculpture, printmaking, installation art, and painting. From Museum of Northwest Art website: Italo Scanga was a sculptor and painter who fashioned much of his work from found objects in a style that blended Cubist and folk influences. His materials included natural objects like branches and seashells, as well as kitsch figurines, castoff musical instruments and decorative trinkets salvaged from flea markets and thrift shops. He combined these ingredients into free-standing assemblages, which he then painted. Although visually ebullient, the results sometimes referred to gruesome episodes from Greek mythology or the lives and deaths of martyred saints. He worked in many media, including printmaking, ceramics and glass, and considered his artistic influences to be sweepingly pan-cultural, from African sculpture to Giorgio de Chirico. He often collaborated with the sculptor Dale Chihuly, who was a close friend. Mr. Scanga was born in the Calabria region of Italy, and at 14 immigrated to the United States with his family after World War II. Living in Detroit, he worked on the General Motors assembly line and served in the United States Army before attending Michigan State University, where he received a bachelor's degree in 1960 and a master's degree in sculpture a year later. He had one-person shows at the Whitney Museum of American Art, the Los Angeles County Museum of Art, the Museum of Fine Art, Boston, and the Museo Rufino Tamayo in Mexico City. His work is in the collection of many museums, including the Metropolitan Museum of Art and the Museum of Modern Art in New York and the Art Institute of Chicago. Mr. Scanga taught art at the University of Wisconsin at Madison, the Rhode Island School of Design and the Tyler School of Art at Temple University in Philadelphia before becoming a visiting professor at the University of California in San Diego in 1976. He joined the faculty there in 1978. He also visited and/or taught regularly at Pilchuck Glass School from 1973 to 2001.

7 objects

The Bombing of Monte Cassino

1984
color woodcut on paper
Museum Purchase, Lloyd O. and Marjorie Strong Coulter Fund
1985.28
 

Hunter II

1984
charcoal, paint, varnish on paper in artist's frame, wood
Archival Collection of Marion Boulton Stroud and Acadia Summer Arts Program, Mt. Desert Island, Maine. Gift from the Marion Boulton "Kippy" Stroud Foundation
2018.10.295
 

Restoration Pieces

1974
mixed media, watercolor and brown substance (resin?) on paper
Archival Collection of Marion Boulton Stroud and Acadia Summer Arts Program, Mt. Desert Island, Maine. Gift from the Marion Boulton "Kippy" Stroud Foundation
2018.10.292
 

Behold the Heart

n.d.
watercolor on paper
Archival Collection of Marion Boulton Stroud and Acadia Summer Arts Program, Mt. Desert Island, Maine. Gift from the Marion Boulton "Kippy" Stroud Foundation
2018.10.296
 

Heart

1974
watercolor and ink on handmade paper
Archival Collection of Marion Boulton Stroud and Acadia Summer Arts Program, Mt. Desert Island, Maine. Gift from the Marion Boulton "Kippy" Stroud Foundation
2018.10.291
 

Untitled (Pitchfork)

1977
iron pitchfork and reeds on wooden handle
Archival Collection of Marion Boulton Stroud and Acadia Summer Arts Program, Mt. Desert Island, Maine. Gift from the Marion Boulton "Kippy" Stroud Foundation
2018.10.293
 

Untitled (Trophy)

1977
bent wood and cork on wood
Archival Collection of Marion Boulton Stroud and Acadia Summer Arts Program, Mt. Desert Island, Maine. Gift from the Marion Boulton "Kippy" Stroud Foundation
2018.10.294