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Alison Saar

 
Alison Saar

American 20th-21st century American sculptor and installation artist
(Feb. 5, 1956 – )

From National Museum of Women in the Arts website: "Saar credits her mother, acclaimed collagist and assemblage artist Betye Saar, with exposing her to metaphysical and spiritual traditions. Assisting her father, Richard Saar, a painter and art conservator, in his restoration shop inspired her learning and curiosity about other cultures. Saar studied studio art and art history at Scripps College in Claremont, California, receiving a BA in art history in 1978. In 1981 she earned her MFA from the Otis Art Institute in Los Angeles. In 1983, Saar became an artist-in-residence at the Studio Museum in Harlem, incorporating found objects from the city environment. Saar completed another residency in Roswell, New Mexico, in 1985, which augmented her urban style with Southwest Native American and Mexican influences. Saar’s style encompasses a multitude of personal, artistic, and cultural references that reflect the plurality of her own experiences. Her sculptures, installations, and prints incorporate found objects including rough-hewn wood, old tin ceiling panels, nails, shards of pottery, glass, and urban detritus. The resulting figures and objects become powerful totems exploring issues of gender, race, heritage, and history. Saar’s art is included in museums and private collections across the U.S." From Getty ULAN: The daughter of the African-American artist Betye Saar, Allison was trained at Scripps College and the Otis Art Institute.

19 objects

Blue Plate Special

1993
woodcut, chine collé and three dimensional collage on paper
Anonymous Gift and Museum Purchase, James Phinney Baxter Fund, in memory of Professor Henry Johnson
1994.2
 

Blue Plate Special

1993
lithograph, etching and chine collé on paper
Anonymous Gift and Museum Purchase, Art Collections Purchase Fund
1994.3
 

Man Club

1993
woodcut, lithograph, and etching on paper
Anonymous Gift and Museum Purchase, James Phinney Baxter Fund, in memory of Professor Henry Johnson
1994.4
 

Heart and Sole

1993
etching and aquatint on chine collé
Anonymous Gift and Museum Purchase, James Phinney Baxter Fund, in memory of Professor Henry Johnson
1994.5
 

Heart

1993
soft ground and Chine collé on paper
Anonymous Gift and Museum Purchase, James Phinney Baxter Fund, in memory of Professor Henry Johnson
1994.6
 

Snake Man

1994
woodcut and lithograph on paper
Anonymous Gift and Museum Purchase
1995.10
 

Tatoo

1994
etching and aquatint on paper
Anonymous Gift and Museum Purchase
1995.11
 

Flower Man

1996
monotype on off-white wove paper
Museum Purchase, Elizabeth B. G. Hamlin Fund
1996.76
 

Heart and Sole (development proof)

n.d.
print on paper
Museum Purchase, Barbara Cooney Porter Fund
2011.14.7
 

Snake Man (printing element, block)

n.d.
wood
Museum Purchase, Barbara Cooney Porter Fund
2011.14.8.1
 

Snake Man (printing element, block)

n.d.
wood
Museum Purchase, Barbara Cooney Porter Fund
2011.14.8.2
 

Snake Man (printing element, block)

n.d.
wood
Museum Purchase, Barbara Cooney Porter Fund
2011.14.8.3
 

Snake Man (printing element, block)

n.d.
wood
Museum Purchase, Barbara Cooney Porter Fund
2011.14.8.4
 

Snake Man (print proof)

n.d.
print on paper
Museum Purchase, Barbara Cooney Porter Fund
2011.14.9.5
 

Snake Man (print proof)

n.d.
print on paper
Museum Purchase, Barbara Cooney Porter Fund
2011.14.9.1
 

Snake Man (print proof)

n.d.
print on paper
Museum Purchase, Barbara Cooney Porter Fund
2011.14.9.2
 

Snake Man (print proof)

n.d.
print on paper
Museum Purchase, Barbara Cooney Porter Fund
2011.14.9.3
 

Snake Man (print proof)

n.d.
print on paper
Museum Purchase, Barbara Cooney Porter Fund
2011.14.9.4
 

Skillet Study, "Eunice"

2001
iron skillet, paint
Archival Collection of Marion Boulton Stroud and Acadia Summer Arts Program, Mt. Desert Island, Maine. Gift from the Marion Boulton "Kippy" Stroud Foundation
2018.10.287