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Exiled to London during the Lebanese Civil War in 1975, Hatoum lives and works there. From the Tate Gallery: "Hatoum challenges the movements of surrealism and minimalism, making work which explores the conflicts and contradictions of our world. Her studies at the Slade School of Art coincided with developing ideas around gender and race, and she began to explore the relationship between politics and the individual through performance." In the late 1980s she began to make installations and sculptures in a wide range of materials. These often use the grid or geometric forms to reference to systems of control within society. She has made a number of works using household objects which are scaled up or changed to make them familiar but uncanny." From the Getty ULAN: Hatoum's work has evolved from confrontational video works in the 1980s to more reflective Minimalist works in the 1990s. Her works often include endoscopic video footage from inside the artist's own body.