Bowdoin College Homepage
Bowdoin College Museum of Art Logo and Wordmark

Advanced Search
Preview image of work. photogravure on paper,  The Steerage 29224

2015.13

Recommend keywords

Help us make our collections more accessible by providing keywords to describe this artwork. The BCMA uses the Getty Art & Architecture Thesaurus to provide consistent keywords. Enter a keyword in the field below and you will be prompted with a list of possible matching AAT preferred terms.

 
 

The Steerage

Export record as: Plain text | JSON | CDWA-Lite | VRA Core 4

Artist

Alfred Stieglitz (Hoboken, New Jersey, 1/1/1864 - 7/13/1946, New York City, New York)

Title

The Steerage

Creation Date

1906

Century

early 20th century

Dimensions

7 7/8 x 6 1/4 in. (20 x 15.88 cm)

Classification

Photographs

Creation Place

North America, United States

Medium and Support

photogravure on paper

Credit Line

Museum Purchase, Lloyd O. and Marjorie Strong Coulter Fund

Copyright

This artwork may be under copyright. For further information, please consult the Museum’s Copyright Terms and Conditions.

Accession Number

2015.13

As magazine editor, gallerist, and the champion of numerous modernist artists, Alfred Stieglitz was a highly visible presence in the New York art world and the leading advocate in America for photography as a fine art medium. The Steerage pictures passengers whose limited financial means consigned them to the least expensive section of the ship. Pablo Picasso admired the photograph, as its abstract, nearly cubist composition had much in common with his own visual experiments. More than two decades later, Stieglitz described his memory of the moment when he created this picture: “Coming to the end of the [first-class deck] I stood alone, looking down. . . . The scene fascinated me … I saw shapes related to one another—a picture of shapes, and underlying it, a new vision that held me: simple people; the feeling of ship, ocean, sky; a sense of release that I was away from the mob called the ‘rich.’ Rembrandt came into my mind and I wondered would he have felt as I did.”

Keywords: black-and-white photograph   figures (representations)   bridge