Bowdoin College Homepage
Bowdoin College Museum of Art Logo and Wordmark

Advanced Search
Preview image of work. engraved on print,  Traité De Nêgres 43208

2021.6

Recommend keywords

Help us make our collections more accessible by providing keywords to describe this artwork. The BCMA uses the Getty Art & Architecture Thesaurus to provide consistent keywords. Enter a keyword in the field below and you will be prompted with a list of possible matching AAT preferred terms.

 
 

Traité De Nêgres

Export record as: Plain text | JSON | CDWA-Lite | VRA Core 4

Artists

La Citoyenne Rollet (active in the late 18th century – ); [after John Raphael Smith]; [after George Morland]

Title

Traité De Nêgres

Creation Date

ca. 1794-1795

Century

late 18th century

Dimensions

18 3/4 x 15 3/4 in. (47.63 x 40.01 cm)

Object Type

print

Creation Place

Europe, France

Medium and Support

engraved on print

Credit Line

Museum Purchase, The Philip Conway Beam Endowment Fund

Copyright

This artwork may be under copyright. For further information, please consult the Museum’s Copyright Terms and Conditions.

Accession Number

2021.6

A female printmaker known as La Citoyenne (Citizen) Rollet crafted this engraving after another engraved reproduction of George Morland’s oil painting The Execrable Human Traffic (1788). The image highlights the cruelty of a father being abducted by enslavers in front of his wife and child, an imagined episode set on the coast of West Africa. The separation of families figured into slave narratives and abolitionist literature during the eighteenth and nineteenth centuries and provides the main plot threads of Uncle Tom’s Cabin. Rollet added a caption to adapt Morland’s messa ge to the cause of the French Revolution: “What an infamous contract. One bargains for that which belongs to no one, the other sells the property of Nature. This vile occupation was abolished by the National Convention on the 16th Pluviôse in the Second Year [February 4, 1794] of the one and indivisible French Republic.”

Object Description

Per the on-line catalogue:
La Citoyenne Rollet was a French female printmaker who was active in the late 18th century. The engraving, after George Morland's 1788 painting "The Execreble Human Traffic," features an African family in a coastal setting being brutally separated by European slave traders. Text below the engraving reads (translated from the French): "What an infamous contract. One bargains for a person who belongs to no one, the other sells what belongs to nature. This vile trade was abolished by the National Convention on the 16th Pluviose of the 2nd year of a united and indivisible French Republic."